![]() In lots of ways, Black Ink Crew is like Mad Men. While women are present in these spaces, their presence is also heavily policed, scrutinized and punished. Not only are they the main cast members on the show, but they control and dominate the spaces and environments around where the show is centered. And in spite of what we may try to tell ourselves, there is nothing class specific about misogyny and patriarchy, nor the fight for women to claim some autonomy within or around it.īlack Ink Crew, as in all aspects of society, centers around the lives of men. Or as they call it on the streets, “realness.”įor all intents and purposes, Black Ink Crew is a microcosm of gender politics and other issues that are universally shared by all. She is represented by Contemporary Ceramics, London, Gallery St Ives, Tokyo, and Gallerytop, Rowsley, Derbyshire, and has been a Fellow of the UK Craft Potters Association since 1986.But what the show lacks in sophistication, it makes up for in truthfulness. Josie has participated in numerous exhibitions, including, most recently, 20 Makers, 20 Objects, an online exhibition hosted by Design Nation, in July 2020. After completing an MA in the History of Ceramics at Staffordshire University, she wrote Pots in the Kitchen, published in 2002 by Crowood Press, which explores her fascination with pots used in the kitchen for cooking and serving food. There are now over 150 artists who live and work in the town.įrom 1986 to 1995, Josie taught History and Theory of Design (Ceramics, Fashion, Textiles, Illustration and Animation) part time at the University of Derby. ![]() In 1986, Josie moved to a purpose-built workshop in Bolehill, near Wirksworth, in Derbyshire. Here, she was influenced by Sue and Nigel Atkins’ approach to food, cooking and pottery. In 1976, she left teaching for a full time Studio Ceramics course at Chesterfield College, followed by an apprenticeship at Poterie Du Don, Auvergne, in France. ![]() While teaching social studies in secondary school, she started making pottery at evening classes: it was love at first sight. After school, she studied anthropology at University College, London, followed by teachers’ training. But we really miss friends and family, especially grandchildren-though reading bedtime stories via Facetime has been a boon. We are content-but then we have space, a garden, and a rural location. A brilliant three day Craft Festival #digitalcraftfestival full of demos, talks, craft films, children’s workshops, wacky portrait painting…days full of fun, stimulation, enterprise and-hurrah!-sales through our new online shop.Īs restrictions are lifted we find ourselves in no hurry to resume our busy pre-Covid lives. Suddenly life was hectic! The three-day book festival in Hay-on-Wye an online workshop to learn how to teach online, how to set up an online shop, setting up an online shop, meetings (great! no traveling miles and wasting a whole day). We all became accustomed to Zoom encounters. The whole experience was uplifting and has ultimately benefited my practice in so many ways-making me less concerned with fulfilling orders, and more playful and willing to try new techniques and materials.Īs life settled into “lockdown,” organizers of theaters, operas, cinemas and festivals began to think outside the norm and started creating online workshops, exhibitions, webinars and talks. A mixture of peace and worry! I had already signed up to a painting course in February/March and so it seemed like a good idea to segue into the next for April/May. No fairs, no galleries, no leaving the house, or at least the garden.
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